Edouard Vuillard
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Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Lefebvre, Jules Joseph
Mary Magdalen in the Grotto

ID: 19137

Lefebvre, Jules Joseph Mary Magdalen in the Grotto
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Lefebvre, Jules Joseph Mary Magdalen in the Grotto


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Lefebvre, Jules Joseph

French, 1834-1912  Related Paintings of Lefebvre, Jules Joseph :. | La Fiancee | Mary Magdalen in the Grotto | The Language of the Fan | Clemence Isaure | Mary Magdalen in the Grotto |
Related Artists:
Henri Pierre Danloux
1753-1809 French French painter and draughtsman. He was orphaned at an early age and was brought up by an uncle who was an architect and contractor. Around 1770 his uncle apprenticed him to Nicolas-Bernard Lpici. He exhibited for the first time in 1771 at the Exposition de la Jeunesse in Paris, where he showed a Drunkard at a Table (untraced). About 1773 he was admitted into the studio of Joseph-Marie Vien, whom he followed to Rome in 1775 on the latter appointment as Director of the Academie de France. Danloux sketchbooks show that he also travelled to Naples, Palermo, Florence and Venice. He was not interested in the monuments of antiquity but concentrated instead on drawing landscapes and, in particular, portraits, among them that of Jacques-Louis David.
Alexandre Cabanel
French Academic Painter, 1823-1889 French painter and teacher. His skill in drawing was apparently evident by the age of 11. His father could not afford his training, but in 1839 his departement gave him a grant to go to Paris. This enabled him to register at the Ecole des Beaux-Arts the following October as a pupil of Franeois-Edouard Picot. At his first Salon in 1843 he presented Agony in the Garden (Valenciennes, Mus. B.-A.) and won second place in the Prix de Rome competition (after Leon B?nouville, also a pupil of Picot) in 1845 with Christ at the Praetorium (Paris, Ecole N. Sup. B.-A.). Both Cabanel and Benouville were able to go to Rome, as there was a vacancy from the previous year. Cabanel's Death of Moses (untraced), an academic composition, painted to comply with the regulations of the Ecole de Rome, was exhibited at the Salon of 1852.
Johann Heinrich Schonfeldt
German , Biberach 1609-Augsburg 1682/83






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